REFERENZE ICONOGRAFICHE I numeri di pagina si riferiscono all’edizione stampata. Getty Images: pp. 40, 52, 56, 58, 68, 71, 72, 77, 79, 96a, b, 99, 103, 114, 149, 163, 173, 177, 187, 195, 197, 198, 199, 202a, 220b, 224, 225, 235, 239, 241, 245, 259; © AFP pp. 129, 171, 232, 237; © Corbis pp. 97, 202b; © De Agostini pp. 23, 24, 29, 30, 37, 100a; © dpa/picture alliance p. 206; © egon69 p. 61; © Gamma-Rapho p. 164; © Bloomberg Creative Photos pp. 81, 74, 82, 92, 213; © Image Source pp. 110a, 34, 36, 133; © Heritage Images p. 38; © Image Source p. 228a; © LightRocket p. 65; © Maddy Sporck/EyeEm p. 60; © Mirrorpix p. 41; © Mondadori p. 136; © PA Images p. 244; © picture alliance p. 204; © Pictures From History/Universal Images Group p. 33; © Print Collector p. 28; © Tim Graham p. 93; © UCG/Universal Images Group pp. 172, 179; © Universal History Archive/Universal Images Group p. 31; © Universal Images Group pp. 20, 57, 91, 101, 184; © VW Pics/Universal Images Group p. 18. stock.adobe.com: © 5ph pp. 156, 271; © Aerial Mike pp. 132, 141; © Africa Studio pp. 214e, 215d, 216, 248; © Agata Kadar p. 84; © AlenKadr pp. 208a,b,c,d,e; © alfa27 pp. 117, 178, 188; © alter_photo p. 157; © Anastasiia p. 214a; © Andrew p. 147; © Andrew Bayda p. 253; © ANR Production p. 240; © Anselm p. 42; © Antonio Nardelli p. 119; © ArchonCodex p. 110b; © ArtEvent ET p. 46; © Atlas p. 249; © auremar p. 170; © Анна Волгина p. 115; © barmalini p. 100b; © BGStock72 pp. 106, 108; © BillionPhotos.com p. 104; © bizoo_n p. 270; © Brian Jackson p. 200; © cgdeaw p. 250; © Comugnero Silvana p. 234a; © contrastwerkstatt p. 123; © cook_inspire p. 255; © Coprid p. 220a, h; © Dan74 p. 44; © davit85 p. 222; © Diana Vyshniakova p. 62; © Drobot Dean pp. 102, 107; © Eléonore H p. 112; © Emiliya p. 251; © exclusive-design pp. 95, 215a; © Евгений Вершинин pp. 191, 192; © Fenea Silviu pp. 75, 76; © fox17 p. 242b; © Freefly p. 88; © FreeProd p. 223; © Gentil Francois p. 218; © Gmail p. 269; © goodluz p. 128; © Grafvision p. 273; © Gregory Lee p. 145; © Gresei p. 211; © gudrun p. 227; © Günter Menzl pp. 214b, c, d, 215b, c; © Harry p. 154; © hitdelight p. 113; © Igor Dmitriev p. 234b; © Igor Dudchak p. 86; © Igor Gromoff p. 221; © Ilshat pp. 176, 247; © Image Source RF p. 131; © ingusk p. 256; © insalateammodo p. 48; © Iriana Shiyan p. 189; © JackF pp. 168, 182; © jackfrog p. 109; © karandaev p. 142; © karelnoppe p. 130; © karepa p. 118; © Karol p. 272; © kathayut p. 268; © Kitch Bain p. 242a; © lblinova p. 122; © Lightfield Studios pp. 127, 160; © lubero p. 64; © M.studio p. 146; © Marc Darkin p. 220f; © Marina p. 3; © master1305 pp. 263, 265; © maurosessanta p. 90; © Microgen p. 162; © Minerva Studio p. 228b; © mintybear p. 226; © Mirko Vitali p. 276; © Mizio70 p. 55; © Nelea Reazanteva p. 151a; © New Africa pp. 89, 159, 215e; © nikhg p. 26; © nikitos77 p. 181; © nitikornfotolia p. 252; © Nitr p. 158; © Olga p. 212; © Parilov p. 124; © pavel siamionov p. 261; © Pavel Timofeev p. 140; © Pixel-Shot pp. 116, 166, 183, 185; © pixs:sell p. 98; © poplasen p. 207, 230; © pressmaster p. 120; © Rawf8 p. 274; © Rawpixel.com p. 258; © Rido p. 262; © Robert Kneschke pp. 134, 246b; © romannoru p. 209b; © Ryzhkov p. 155; © sabir p. 210a; © Sergey Milovidov p. 267; © Sergiogen p. 219; © Seventyfour p. 137; © shaiith p. 275; © Shchipkova Elena p. 69; © Silvano Rebai p. 287; © snedorez p. 175; © Studio KIVI p. 153b; © Svetlana Lukienko p. 210b; © Syda Productions pp. 83, 238; © terex p. 180; © Thierry RYO p. 45; © timolina p. 153a; © uladzimirzuyeu p. 246a; © Unclesam p. 220c; © Viiviien p. 266; © Viktoriia pp. 126, 229; © volff p. 260; © WavebreakMediaMicro p. 193; © WDnet Studio p. 217; © weyo p. 151b; © winston p. 254; © Yakobchuk Olena pp. 169, 194, 231, 233; © zinkevych p. 167. Studio27: © Luca Finessi pp. 67, 208f, 209a, 220d,e,g. L’autore desidera ringraziare “Roulette Verseur”, brevetto di Arisè srl della famiglia Colombini (Massa), per l’immagine alla pagina 236.